s5,18
...to stand directly behind M.
s6,8
The line moves forward, steadily, monotonously.
Marla, unable to
stand the containment, breaks free of her
Mother's grip...
s6,9
...and spasm-skips to the head of the line.
s6,20
In doing so, she catches the notice of some of the
bystanders...
s6,23
...who can't help but smile -- and bump into one
another.